I can't find the exact location of this site, some think it's in India and others Cambodia. When we look at India or Cambodia's past we often see intricate carvings in their temples but this doesn't seem to be the case and it's in the middle of the forest. Petrified or a naturally formed pregnant giant? Your thoughts.. Author/Poster: Tartarian History
FIELD OF ILLUSIONS – A Photo That Shouldn’t Exist
A Personal Essay by a Seeker of Truth in a Forgotten World
Introduction: A Picture That Stops Time
Sometimes, a photo doesn’t just capture a moment — it freezes a contradiction. I came across an image of the Field Museum in Chicago, dated to the early 1900s, and it stopped me in my tracks. This wasn’t just a photo of a building. It was a photo that asked questions — questions no mainstream historian seems willing to answer. The more I stared at it, the louder it screamed.
Why is such a massive, classically constructed structure sitting alone in a barren wasteland, surrounded by what appears to be peasants, factory workers, and folks in Sunday best?
Why are they all in line — for a museum?
And why, in an era where most of America was still using horse-drawn carts, do we see a monumental building that rivals Roman temples and imperial palaces?
This isn’t just about one photo. It’s about waking up from the spell — and learning to see what the world has tried to cover.
Let me walk you through my thoughts, and by the end of this, you might never look at an old photo the same way again.
1. The Contradiction in Brick and Stone
Let’s start with the obvious: the building is stunning. Architectural detail that would cost millions today — maybe billions — carved into a structure that’s supposedly built by people with manual tools, horse-pulled carts, and rudimentary scaffolding.
The size alone is staggering. But it’s not just about scale — it’s about symmetry, design, and stonework. We’re talking arches, cornices, pilasters, and rows of stone-carved columns, perfectly measured and executed.
Now ask yourself: why build such a magnificent structure… for bones and display cases?
What could possibly be so important in 1904 that you’d justify constructing what looks like the Pantheon on steroids?
2. Dirt and Debris: Construction, or Aftermath?
What really gets me is the ground. It’s not landscaped. It’s not even graded. It looks like the aftermath of a demolition or a flood.
You don’t finish a structure like that and just walk away without paving the roads, planting grass, or laying bricks. This photo doesn’t scream grand opening. It screams rediscovery.
Some say this was just before the landscaping was finished. That’s a neat excuse — until you realize many other photos of old structures look exactly the same. Fields of dirt. No construction equipment in sight. Just one immaculate building rising out of the mud.
That’s the hallmark of what many of us now call a mud flood reset. Something covered this world in mud — whether by natural catastrophe or purposeful cleansing — and what was dug out wasn’t newly built. It was reclaimed.
3. The Line of People: Theater of the Mind
Then there’s the people. A long, winding line, like pilgrims heading to worship. They’re not tourists. They’re not students. They’re mostly working class. Some look confused. Others are staring directly at the camera, as if they know the moment matters.
The strangest part? What could they possibly be going to see?
This was long before we had collections of Egyptian mummies, dinosaur bones, and Cold War relics. So again I ask: what is inside this building that’s so important?
Maybe the answer is in the building itself.
4. The Museum is the Artifact
We’re taught to think museums house artifacts. But what if the museum itself is the artifact?
The Field Museum — and many like it around the world — is a building that predates its own narrative. You don’t build that kind of structure unless it served a high, centralized, possibly even spiritual purpose.
Some of these buildings may have been:
•Cathedrals of the Old World
•Temples of knowledge or healing
•Government halls of a forgotten empire
Instead, we’re told they were “exposition halls” or “public libraries” built in a few short years with barely any photographic evidence of construction. It doesn’t add up.
5. Architecture of Another Age
The classical symmetry, the Greco-Roman styling, and the sheer scale don’t match the technology or labor of the time.
It’s not just Chicago. You see it in Buffalo. You see it in San Francisco. You see it in Europe. Huge buildings rising out of cities where supposedly nothing existed before. Built with perfection, then left to deteriorate, burn down mysteriously, or get demolished to make way for glass towers.
Some claim these were temporary “exposition” buildings — even though the stone, iron, and granite say otherwise.
We’ve been gaslit into believing that primitive societies had access to the kind of craftsmanship we can barely afford today.
That’s not progress. That’s inheritance.
6. The “Reset” Pattern
Let’s entertain what we’ve already studied across this ongoing investigation:
•Cities like Dyerville erased from maps
•Basilica of Saint Josaphat in Milwaukee built by peasants… supposedly
•Melted stone in Villa de Leyva
•Rebuilt railroads and unearthed tunnels
•The orphan trains
The pattern repeats. Civilizations wiped clean. Buildings uncovered. Populations reset. History rewritten.
We call it Tartaria. Some call it the Old World. Call it what you want, but the symptoms are the same:
A reset took place.
And buildings like the Field Museum are the scars left behind.
7. A Personal Reckoning: What I Feel
I’m not just speculating. I’ve walked into these places. I’ve stood in front of these doors. I’ve felt something shift in my spirit when I stepped onto their grounds.
These are not lifeless museums. These are altars. These are resonators. These are the remains of a world that was judged — or perhaps taken — and we are living in the aftermath.
I used to take history books at face value. Now I take every claim with caution.
Because I’ve seen the photos. I’ve felt the air inside those walls. And I know what I know: we didn’t build that.
8. Critical Thinking for a New Age
This essay isn’t just about a museum. It’s a call to open your eyes.
You don’t need a degree to question your reality. You just need your senses.
If you see a building with more detail than anything modern man can produce… question it.
If you see a city built before power tools… question it.
If you see photo after photo of people lined up at pristine mega-structures surrounded by dirt fields and no infrastructure… question it.
This isn’t conspiracy — it’s critical thinking. It’s pattern recognition. It’s discernment.
9. A Challenge to My Followers
To those who’ve been following me, here’s what I ask:
Start gathering old photos. Look at the ground. Look at the people. Look at the condition of the buildings. Ask yourself: does this make sense?
Then compare it to what we’ve uncovered:
•The Basilica in flames.
•The Crystal Palace, mysteriously burned.
•The submerged ruins in Florence.
•Children of the Reset.
These aren’t isolated events. They’re fragments of a shattered world.
The evidence is hiding in plain sight — or buried under layers of polite explanation.
10. Conclusion: The Field is Not Empty
They call it the Field Museum. But maybe it’s not the museum that matters — maybe it’s the field.
That muddy, barren, trashed field tells more truth than the plaques inside.
It tells us this building didn’t rise with the help of pickaxes and steam engines. It was here already. It survived the fire. Or the flood. Or the judgment. It was left standing while others were swept away.
And we — the descendants of a post-reset world — were ushered in to believe that this is our history.
But it’s not. It’s theirs.
And maybe, just maybe, it’s time to remember who we really are.
Author/Poster: Sovereign Redneck Renegade
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NEVER Forget The Cabal's Over All Agenda Is To Kill Off 95% Of The Human Population By Any Means Necessary. The Talk About Euthanizing Humans They Deemed Undesirable Began Over 10 Years Ago.
Back Then They Wanted To Start Off By Euthanizing The Elderly and Physically/Mentally Disabled People. The People THEY Felt Could Not Contribute To Society.
REMEMBER: These Demons Feed Off Of Human ENERGY. The ENERGY You Produce When You Work Hard Provides Food For THEM. Those Who Can Not Work, Can Not Produce Food For These ENERGY Draining DEMONS. Those Who Can Not Produce Food Are Referred To By The Cabal as 'Useless Eaters.' According To Their DEMONIC Guidelines 'Useless Eaters' Are Worthless and Should Be Destroyed.
Sen-I
MY COMMENTARY: This Is A BIG Start But How About Cancelling The Recommendation For The COVID-19 Bioweapon For EVERYONE. Yall' Are Already Well Aware That This Is NOT A Vaccine, It Is A Military Grade BIOWEAPON Designed To Alter DNA, Injure, Harm and Kill The Recipient.
Over The Past 5 Years Here In America Alone MILLIONS Of People Have Become Severely Ill and Permanently Disabled Hundreds Of Thousands Of People Have Been Deliberately MURDERED As A Result Of The COVID-19 BIOWEAPON.
Countless Lives Have Been and Continue To Be Negatively Affected and Impacted By This GLOBAL Medical HOAX. Its' Time To Put An End To This Deadly Game For ALL Of The People, Not Just Some Of The People.
Sen-I
I could not believe my eyes
Uri claims he was shown evidence of aliens during secret experiments at the Goddard Space Flight Centre.
He said: "After driving with Wernher Von Braun we took three flights of stairs down into the building and were given orange coats like the ones for Antarctic expeditions (with blue NASA embroidered badges).
"Heavy, thick freezer doors were opened. I could not believe my eyes but I always knew it since I was 5.
I will say it again & again, over & over, Dr Wernher von Braun SHOWED me alien bodies that were somewhat very similar to the ones in this amazing animation,their shape & decayed/injured state is exactly what I have witnessed.
They were being kept inside a massive, refrigerated room – at least three flights of stairs beneath a building that is situated on a well-known NASA base! (Are they still being kept there? I don’t know…but look back at some at my previous posts on this subject, I have made it very clear where this was!)
Before we went in von Braun asked me to put on an orange, Antarctic-style warm coat - with the circular blue NASA logo on it - and he also put one on too.
The heavy metal door opens!
Inside it smelled like a hospital.
I could see what looked like heavy, glass containers, with lifeless bodies lying inside them.
It was a shocking sight! Like when you see an accident that has happened, and you feel like something has hit you in the stomach.
The containers looked like thick, triple-glazed, transparent coffins that were misted with frost along all of the edges and corners.
The bodies were small, thin & very frail looking…but disturbingly familiar.
They looked uncannily like us -enough for me to feel repulsed and sorry for seeing these “victims”.
Some had either been severely injured or had decomposed a lot.
None of your cynical & skeptical scoffing comments will change what I have seen. To add to the bizarrity every 6 month or so since I was a child I feel a gentle sharp jolt in one of my arms and a mark shows up and disappears within a few days!
I Already Know The Answer To The Question 'WHY?' But Many Of You Have Not Yet Put The Pieces Of The Puzzle Together And Some Of Yall' Might Be Willing To Just Let This Medical 'Mystery' Slip By Without Trying To Find Our The Truth, Until It Happens To Someone In Your Family or Among Your Circle Friends.
I'm Not Telling Yall' The Answer Cause The Answer Is Right In Front Of Your Face. Do Your Research and Figure It Out For Yourselves. If You Figure It Out For Yourselves You'll Have A Better Understanding Than If I Just Tell You.
Sen - I
MedBed LUMEN-CORE V3 — Bio-Light Activation (Discovered 1964) The LUMEN-CORE V3 was uncovered in 1964 inside a sealed underground lab — a...
